My work straddles definitions of garment and functional objects. Within these pieces, there is a dance between curvilinear and rectilinear aspects of shape and fabric. I like to use grids as a grounding, as places where movement is straightforward and simple. When these lines collide with strange and imposing seam lines, past forms of navigation fall short and a new sense must emerge. Even in the most solid materials, the pieces never cease in their movement.